April 3, 2002, 7:12PM
A soccer dad with a song in his heartBy MICHAEL D.
CLARK Copyright 2002 Houston Chronicle
Greg Trooper may be thought of as a songwriter's songwriter in
music circles and as a splendid tunesmith to his fans. But to his
7-year-old son, he is sometimes just a ride to soccer practice.
A late ride to soccer practice.
Greg
Trooper doesn't seem to be too upset that his work hasn't
gotten mainstream notice. He's just happy being on the road.
| "Dad, they're already
practicing," sighs young Jack Trooper.
Father Trooper tells his boy to run out there and start kicking
and everything will be fine. It's all in a day's work for a soccer
dad who doubles as one of Nashville's best-kept singer-songwriting
secrets.
In addition to his 16-year recording career, Trooper, 46, has had
his songs recorded by such diverse talents as Steve Earle, Vince
Gill and Billy Bragg. His name is on the list of artists influenced
by Townes Van Zandt, John Prine and Willie Nelson.
|
DETAILS |
Greg Trooper will perform at 9 p.m. Friday at
McGonigel's Mucky Duck, 2425 Norfolk. Tickets are $15. Call
713-528-5999.
| His devotees are a
loyal group. There are dense pockets of them, ranging from New
Jersey to as far away as Italy and in music hubs like Houston, where
songwriting is a respected craft. Friday Trooper returns to his
Bayou City home, McGonigel's Mucky Duck, where he will be welcomed
like a native.
About the only thing Trooper hasn't done is score a major radio
hit. His year-old album, Straight Down Rain, doesn't look
like it will buck that trend, which is the FM dial's loss.
Trooper doesn't seem to be heartbroken by the lack of mainstream
notice, as long his songs get enough attention to keep him on the
road.
A blend of folk and rock, the debut effort for Eminent Records
(the label forged by Emmylou Harris) is an audio road map of the
East and the South.
"I'm not a household name, and I'm working a hard-workin' life,
but at the end of the day I feel awfully lucky," Trooper says. "I am
fortunate that my work is in music."
A product of the Jersey shore, Trooper has had the benefit of
absorbing influences from many of the finest coves of regional music
in the United States and adding them to his own experience. In his
youth he would make his way to New York as much as possible to play
in Greenwich Village and see such songwriters as Merle Haggard and
Patti Smith.
He was in the crowd at George Harrison's Concert for Bangladesh
benefit and, like every Jerseyite, has his own "brushes with the
Boss" stories, the Boss, of course, being Bruce Springsteen.
"In the early-'70s all my friends worked at this record store in
Red Bank, N.J., when Bruce walked in one day," Trooper says. "He
walked right up to the W's and bought a Tom Waits record.
"It made us all smile because Bruce and his guys were listening
to something we would have bought."
A growing talent for guitar and an interest in folk, bluegrass
and country led Trooper to Austin in the late '70s. He was just in
time to catch the singer-songwriter renaissance anchored by Van
Zandt, Nelson and Guy Clark.
Regional variety can be heard on Straight Down Rain. The
cool, early electric poems of Bob Dylan are represented on
Sometimes It Takes a Hurricane, while You Love Your Broken
Heart is definitely pulled from the floorboards of Austin's old
Liberty Lunch -- or maybe Houston's Old Quarter.
"When I start writing songs, I do think about the way Guy or
Townes put songs together," Trooper says. "My music has evolved with
all of them, but you can never take the New York out of me. I've
always gravitated to that sound Dylan almost single-handedly
created."
Trooper recorded his debut album, We Won't Dance, in 1986
and caught his first songwriting break three years later when
fast-rising country star Gill recorded the title track for his album
When I Call Your Name.
The album was a country chart-topping breakthrough for Gill, but
Trooper's song was not among the hit singles. Several other artists
have since recorded Trooper songs. In 1991 Bragg covered the title
track to Trooper's second album, Everywhere. More recently
Earle recorded Little Sister, |